Tuesday, June 28, 2011
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Disclaimer: in no way can you take any of this as the “right” way of doing things. I’m still learning and some of this stuff may even be wrong. I am constantly adapting and changing my approach to drawing. This is just how I think about stuff and I wanted to share it with people. Maybe it can help, maybe not.
The hinging foot seems so simple now that I SEE it... but I'd never thought of drawing it like that to get it right! thanks!
ReplyDeleteThanks for posting these, I can almost hear your voice talking to us.
ReplyDeleteThe do and don't are specially useful, very clear.
I really think that every teacher, for every discipline should take your class and understand the importance or story telling. More student will stay in school for longer... It would have helped me a lot.
I've hear so many time teacher (and not specially old one) saying that making a class entertaining would make it trivial. I think that specially hard subject need story telling.
If you listen to RadioLab, Robert krulwich has a great speech about this for the graduation of caltech. talking about making some hard subject entertaining!!!
I don't know Rad... an awful lot of those are making sense. Of course there's no doubt adding the lectures would take them to the next level.
ReplyDeleteMy favorite of this bunch is 'Three drawings to a movement'. That whole theme has been on my mind a lot these days especially as it applies to animation.
I sure hope you are recording these lectures!
wooooooow!!!!
ReplyDeletethanks for sharing this so much!!!
lovely!
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Thanks so much for posting these! All your story notes have been really helpful. Also I love the blog, keep it up!
ReplyDeleteHi Rad,
ReplyDeletecould u please explain the one specify as number 4 ,I really don't understand, what does it mean "camera as a person" and why we don't have to anticipate a shot and by extension what do u mean by"to anticipate a shot"? is it the same frame beetween the three here or is there a cut ?
TY.
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